MXL CR77 Microphone Price, Specs, Reviews & Discussions
MXL CR77
Vintage-looking, dynamic stage mic
Last updated: Sept. 6, 2025, 3:36 p.m.
About the MXL CR77 mic
The MXL CR77 is a stage-ready dynamic microphone that leans heavily on looks as well as performance. It was designed as part of MXL’s CR series, borrowing the vintage broadcast-inspired aesthetic of black chrome and matte black bodywork. At 1.4 pounds, it’s a hefty mic, so it comes mounted on a yoke adapter to give it stability and to handle its weight on a stand. It’s visually striking, people notice it immediately, and it feels built to withstand the rigors of live performance.
Under the hood, the CR77 uses a dynamic capsule with a super-cardioid polar pattern. That tighter pickup design helps focus on what’s directly in front of the mic while rejecting most ambient noise from the sides, useful for stage setups where monitors and crowd noise can bleed into the mix. There is still a small lobe of sensitivity at the rear (a trait of super-cardioids), so mic placement relative to monitors matters. Sensitivity is rated at –52 dB re 1 V/Pa, and its impedance is 400 ohms, which makes it compatible with most standard live sound gear.
One standout feature of the CR77 is its layered protection system. Behind the riveted metal grille is a substantial internal windscreen and a shock-mounted capsule. This isn’t the usual thin foam you see in many dynamic mics; it’s a full internal filter that noticeably reduces plosives and helps with stage wind or breath noise. Combined with the internal shockmount, it resists floor rumble and handling noise better than many other mics in its price class. These design choices make it practical for close-up vocal work without always needing an external pop filter.
In terms of sound, the CR77 has a somewhat brighter tonality compared to a typical workhorse dynamic like the Shure SM58. Vocals come through loud and forward, which works well in live and broadcast settings where cutting through a dense mix is essential. It’s forgiving enough if you move around a bit while singing, you don’t have to stay glued to the grille, but the presence boost can highlight sibilance on some voices. On instruments, it’s more of a mixed bag: electric guitar cabs can sound solid if you like a beefy tone, but acoustic guitars come across less naturally, lacking the clarity you’d get from a condenser.
From a practical standpoint, the CR77 is easy to travel with. It comes in a foam-lined aluminum flight case, pre-mounted on its yoke adapter. That means you can take it from rehearsal to stage without worrying about damage in transport. The weight does require a sturdy mic stand or tripod, though; a lightweight boom stand might sag or tip under its load.
Overall, the MXL CR77 sits in an interesting spot. It’s not trying to compete directly with budget workhorses, it’s heavier, flashier, and voiced a bit brighter. At around $179, it’s aimed at performers who want a microphone that doubles as a stage presence piece as much as a sound tool. For live vocals and broadcast-style delivery, it performs well, with strong rejection and a distinct tone. For acoustic instruments, less so. If what you want is a durable, eye-catching mic that sounds solid on stage and gives off vintage vibes, the CR77 makes sense. If subtlety or all-around versatility is your goal, there are more neutral choices out there.
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Technical Specs
| Type | dynamic |
|---|---|
| Frequency Response | 50 Hz – 14 kHz |
| Pickup Pattern | super-cardioid |
| Address | side-addressed |
| Sensitivity | -52 dB re 1 V/Pa |
| Output Impedance | 400 Ω |
| Capsule/Element | N/A |
| Connector | XLR (n/a) |
| Power | doesn't require power |
| Power Consumption | N/A |
| Weight | 1.40 lbs (635.03 g) |
| Length | 7.09 in (180.09 mm) |
| Max Diameter | 2.56 in (65.02 mm) |
| Finish | black body with chrome grill |
| Included in the box | CR77 mic + flight case |
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Amazon USA | 179.00 USD | Check |